For Cure3, Grady uses transparent coloured lighting gel shapes for windows, which transform the surrounding architecture by casting colourful shadows into the space, creating a three-dimensional interpretation of her usual practice. The converging transparent Perspex triangles sit on the cube’s mirrored base, in turn reflecting the case’s own material. “The geometric forms activate what would otherwise be an overlooked space” says the artist. The illusion of a diamond-shaped sculpture extends the cube’s space to create a playful response to the work’s own confinement and on the limitations of perception.