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Sophie Ryder

Sophie Ryder

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Open a larger version of the following image in a popup: Sophie Ryder, Ladyhare with Minotaur Through a Window , 1999
Open a larger version of the following image in a popup: Sophie Ryder, Ladyhare with Minotaur Through a Window , 1999
Open a larger version of the following image in a popup: Sophie Ryder, Ladyhare with Minotaur Through a Window , 1999 Portrait courtesy the artist

Sophie Ryder

Ladyhare with Minotaur Through a Window , 1999
Perspex cube, plaster
20x20x20cm
Copyright The Artist
Sold

Further images

  • (View a larger image of thumbnail 1 ) Sophie Ryder, Ladyhare with Minotaur Through a Window , 1999
  • (View a larger image of thumbnail 2 ) Sophie Ryder, Ladyhare with Minotaur Through a Window , 1999
  • (View a larger image of thumbnail 3 ) Sophie Ryder, Ladyhare with Minotaur Through a Window , 1999
  • Ladyhare with Minotaur Through a Window
Working ‘big’ is a significant feature in Ryder’s work as she often rises to the constructional and creative challenges this brings. For her first commission for Cure3 she has embraced...
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Working ‘big’ is a significant feature in Ryder’s work as she often rises to the constructional and creative challenges this brings. For her first commission for Cure3 she has embraced the altogether different challenge of working ‘small’ and says of her sculpture: “My Minotaur, a half-man half-bull character can be strong but also loving and caring. My Ladyhare, a character who I developed as a companion to the Minotaur is a half-woman and half-hare figure. She encompasses everything it is to be a strong independent woman yet at the same time with the Minotaur,
she becomes part of a strong partnership, a friend, a lover, a mother.”
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